The Crow (2024)

A Dark Reimagining of a Cult Classic

“The Crow” (2024) is a gothic superhero film directed by Rupert Sanders, marking a modern reimagining of the beloved 1994 classic that was itself based on the graphic novel by James O’Barr. This new adaptation stars Bill Skarsgård as Eric Draven, alongside FKA twigs as Shelly, and dives deep into themes of love, loss, and vengeance.

The story follows Eric and Shelly, soulmates whose lives are tragically cut short when they become victims of a brutal crime linked to Shelly’s dark past. After their deaths, Eric is resurrected by a mysterious crow, granting him supernatural abilities and a singular purpose: to seek revenge on those who wronged them. As he traverses the realms of the living and the dead, Eric confronts not only his enemies but also the emotional turmoil of his own resurrection and the love he lost.

Visually, “The Crow” is a feast for the eyes, with striking cinematography that captures the film’s dark and atmospheric tone. The production design immerses viewers in a gritty urban landscape, enhancing the film’s themes of despair and redemption. Critics have noted that the film successfully balances action with emotional depth, allowing audiences to connect with Eric’s journey on a personal level.

Bill Skarsgård delivers a compelling performance as Eric, embodying the character’s pain and determination with intensity. FKA twigs shines as Shelly, bringing a haunting beauty to her role that resonates throughout the film. The supporting cast, including Danny Huston and Maya Hawke, adds further layers to the narrative, enriching the story with their performances.

Positive Reviews

  1. Stylish Cinematography and Production Design: The film’s visual appeal has been praised, with Steve Annis’ widescreen compositions and well-chosen locations in Prague and Germany standing out. The production design by Robin Brown, inspired by Tarkovsky’s “Stalker,” and the playful costumes by Kurt and Bart contribute to a sleek, airier look compared to the original film 12.
  2. Strong Performances by Bill Skarsgård: Bill Skarsgård’s portrayal of Eric Draven has been highlighted as a significant strength. His performance, although different from Brandon Lee’s iconic role, brings a brooding intensity to the character, making him a standout in the film 34.
  3. Engaging Love Story: The central love story between Eric and Shelly, played by FKA Twigs, is powerful and well-developed. The film takes its time to build their relationship, making the eventual tragedy and Eric’s quest for vengeance more impactful 56.
  4. Impressive Action Sequences: The film features several well-executed action sequences, including a gloriously violent and gory opera house scene that is expertly shot, edited, and choreographed. These scenes add excitement and intensity to the film 78.

Mixed Reviews

  1. Complex Narrative Structure: The film’s narrative structure, which includes a lengthy prelude to the expected revenge story, has received mixed reviews. While some appreciate the depth it adds to the characters, others find it slow and meandering 9 10.
  2. Character Development: The performances of the supporting cast, particularly FKA Twigs and Danny Huston, have been described as a mixed bag. While Twigs’ performance is likable but thin, Huston’s portrayal of the villain Roeg is seen as somewhat lackluster 11 12.
  3. Stylistic Choices: The film’s stylistic choices, including its soundtrack and camera work, have been noted as inconsistent. Some critics feel that these elements detract from the overall tone and coherence of the film 1 13.

Negative Reviews

  1. Poor Pacing and Lack of Focus: The film has been criticized for its poor pacing and lack of focus. Many reviewers feel that it takes too long to get to the central revenge plot, making the film feel dreary and poorly paced 14 15.
  2. Inconsistent Tone and Execution: Critics have pointed out that the film doesn’t have enough personality or pulse to merit the resurrection of the franchise. The inconsistent tone and execution make it feel like a significant downgrade from the original film and its comic book inspiration 16 17 18.
  3. Convoluted Plot and Supernatural Elements: The plot, while attempting to put a fresh spin on the material, is described as convoluted and clogged by supernatural elements that never make much sense. This has led to criticisms of the film’s overall coherence and believability 19 20.
  4. Unfulfilled Potential: Despite the talent involved, the film is seen as not living up to its potential. The final product feels flat, flimsy, and dull, failing to spread its wings and make a significant impact 21 22.

Ratings and Popularity

  1. Release Date and Runtime: “The Crow” was released in theaters on August 23, 2024, with a runtime of 1 hour and 51 minutes 23.
  2. Production and Distribution: The film was produced by Edward R. Pressman, Samuel Hadida, Victor Hadida, John Jencks, and Molly Hassell, and distributed by Lionsgate. It was produced by Hassell Free Productions, Electric Shadow Company, Davis Films, and Edward R. Pressman Film Corporation 24.
  3. Genre and Rating: The film falls under the genres of action, fantasy, and crime, and is rated R for gore, drug use, language, sexuality/nudity, and strong bloody violence 25.

User Ratings:
User ratings for “The Crow” are currently mixed, with an IMDb score of 4.7/10, reflecting a range of opinions from viewers. While some appreciate the film’s fresh take on a classic story, others feel it struggles to capture the magic of the original.



AspectDetails
TitleThe Crow (2024)
DirectorRupert Sanders
Runtime1 hour 51 minutes
GenreAction, Fantasy, Superhero
ThemesLove, Revenge, Loss, Resurrection
Main CastBill Skarsgård as Eric Draven, FKA twigs as Shelly, Danny Huston, Maya Hawke
Production CompanyRelativity Media, Edward R. Pressman Film Corporation
CinematographyThe film features dark, atmospheric cinematography that enhances its gothic aesthetic.
Visual EffectsUtilizes a blend of practical effects and CGI to create the supernatural elements of the story.
MusicOriginal score composed by Danny Elfman, known for his work on various iconic films.
User RatingsIMDb: 4.7/10
Release DateScheduled for theatrical release on October 11, 2024
DistributionDistributed by Lionsgate
Filming LocationsPrimarily filmed in Budapest, Hungary, capturing a unique blend of urban and gothic landscapes.
Production BudgetEstimated at $40 million, reflecting the film’s ambitious scope and visual effects.
Target AudienceFans of dark fantasy, superhero films, and those familiar with the original “The Crow” franchise.
Critical ReceptionEarly reviews indicate mixed reactions, with some praising the visuals while others critique the narrative depth.
Sequel PotentialThe film’s ending leaves room for potential sequels, depending on box office performance and audience reception.

Frequently Asked Questions

What is “The Crow” about?

“The Crow” follows Eric Draven, who is resurrected by a crow to seek revenge on the criminals who murdered him and his fiancée, Shelly.

Is “The Crow” suitable for all audiences?

The film is rated R, indicating it contains mature content, including violence and dark themes, making it more suitable for adult viewers.

Who directed “The Crow”?

The film was directed by Rupert Sanders, known for his work on films like “Snow White and the Huntsman.”

How does this film compare to the original “The Crow”?

This adaptation offers a modern take on the original story, introducing new elements while staying true to the core themes of love and revenge.

Where can I watch “The Crow”?

“The Crow” is set to be released in theaters and will likely be available for streaming on various platforms after its theatrical run.In summary, “The Crow” (2024) is a dark and compelling exploration of love and vengeance, making it a noteworthy addition to the superhero genre that will appeal to fans of gothic storytelling.

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Matt Zoller Seitz
Matt Zoller Seitz

Matt Zoller Seitz is the Editor at Large of RogerEbert.com. He is also the TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and television has appeared in The New York Times, Salon.com, The New Republic and Sight and Sound. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine, and the co-founder and original editor of Press Play, an IndieWire blog of film and TV criticism and video essays.

A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.

Other Seitz books include Mad Men Carousel: The Complete Critical Companion, The Oliver Stone Experience, and TV (The Book). He is currently working on a novel, a children's film, and a book about the history of horror, co-authored with RogerEbert.com contributor Simon Abrams.

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One comment

  1. Genuinely have no idea what you are blathering on about with The Crow as a TV show premiering on streaming platforms this year. You seem to making things up out of thin air. There was a TV show (The Crow: Stairway to Heaven) but that was in the late 90s. What are you possibly talking about with this new Rupert Sanders streaming option? The MOVIE he made has just recently premiered, and is available theatrically only. I am really confused how you are passing around information like that or are not bothering to clarify fully.

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